Saturday, May 31, 2014

Def'n: Dvorak vs Qwerty

See the April 20th / 2012 article Saturdays News - One Handed Typing in SSTattler.

SSTattler: I changed to Dvorak keyboard after my stroke — I think it is best for one-hand (speed, comfort, about one-half errors,…) but at least try it if you have time. For two-hands the QWERTY and Dvorak they are much closer for speed.  You will have to change your keyboard with System Preferences (on Mac), System Settings (on Linux), Control Panel / PC Setting (on Microsoft) with about 2-clicks...


Dvorak Simplified Keyboard
         From Wikipedia, the free encyclopedia


The Dvorak Simplified Keyboard (Listeni/d(ə)ˈvɔræk/ d-vor-ak) is a keyboard layout patented in 1936 by Dr. August Dvorak and his brother-in-law, Dr. William Dealey. Over the years several slight variations were designed by the team led by Dvorak or by ANSI. These variations have been collectively or individually also called the Simplified Keyboard or American Simplified Keyboard but they all have come to be commonly known as the Dvorak keyboard or Dvorak layout. Dvorak proponents claim the Dvorak layout uses less finger motion, increases typing rate, and reduces errors compared to the standard QWERTY keyboard. This reduction in finger distance traveled is claimed to permit faster rates of typing while reducing repetitive strain injuries, though this has been called into question.

Although the Dvorak Simplified Keyboard (DSK) has failed to replace the QWERTY keyboard, most major modern operating systems (such as Windows, OS X, Linux, Android, and BSD) allow a user to switch to the Dvorak layout. The current exception is iOS which does not support a system wide touchscreen dvorak keyboard.

Left-handed Dvorak layout

Right-handed Dvorak layout

The modern Dvorak Simplified Keyboard (US layout)





































Overview


The Dvorak layout was designed to replace the QWERTY keyboard layout (the de facto standard keyboard layout, so named for the starting letters in the top row). The Dvorak layout was designed in the belief that it would significantly increase typing speeds over the QWERTY layout. The original QWERTY keyboard suffers from many problems that Dvorak himself identified:

  • Many common letter combinations require awkward finger motions.
  • Many common letter combinations require a finger to jump over the home row.
  • Many common letter combinations are typed with one hand. (e.g. was, were)
  • Most typing is done with the left hand, which for most people is not the dominant hand.
  • About 16% of typing is done on the lower row, 52% on the top row and only 32% on the home row.
Dvorak studied letter frequencies and the physiology of people's hands and created a layout to alleviate the problems he identified with the QWERTY layout. The layout he created adheres to these principles:
  • Letters should be typed by alternating between hands (which makes typing more rhythmic, increases speed, reduces error, and reduces fatigue). On the Dvorak, vowels are all on the left home row, the most used symbols are on the left, while the most used consonants are on the right.
  • For maximum speed and efficiency, the most common letters and digraphs should be the easiest to type. This means that they should be on the home row, which is where the fingers rest, and under the strongest fingers (Thus, about 70% of keyboard strokes on the Dvorak Simplified Keyboard are done on the home row and only 22% and 8% on the top and bottom rows respectively).
  • The least common letters should be on the bottom row which is the hardest row to reach.
  • The right hand should do more of the typing because most people are right-handed.
The Dvorak layout is intended for the English language. In other European languages, letter frequencies, letter sequences, and digraphs differ from those of English. Also, many languages have letters that do not occur in English. For non-English use, these differences lessen the supposed advantages of the original Dvorak keyboard. However, the Dvorak principles have been applied to the design of keyboards for other languages, though the primary keyboards used by most countries are based on the QWERTY design.

The layout was completed in 1932 and was granted U.S. Patent 2,040,248 in 1936. The American National Standards Institute (ANSI) designated the Dvorak keyboard as an alternative standard keyboard layout in 1982; the standard is INCITS 207-1991 (R2007) (previously X4.22-1983, X3.207:1991), "Alternate Keyboard Arrangement for Alphanumeric Machines". The original ANSI Dvorak layout was available as a factory-supplied option on the original IBM Selectric typewriter.

History


August Dvorak was an educational psychologist and professor of education at the University of Washington in Seattle, Washington. Dvorak became interested in the keyboard layout while serving as an advisor to Gertrude Ford, who was writing her master's thesis on typing errors. Touch typing had come into wide use by that time, so when Dvorak studied the QWERTY layout he concluded that the QWERTY layout needed to be replaced. Dvorak was joined by his brother-in-law William Dealey, who was a professor of education at the then North Texas State Teacher's College in Denton, Texas.

Dvorak and Dealey's objective was scientifically to design a keyboard to decrease typing errors, speed up typing, and lessen typer fatigue. They engaged in extensive research while designing their keyboard layout. In 1914 and 1915, Dealey attended seminars on the science of motion and later reviewed slow-motion films of typists with Dvorak. Dvorak and Dealey meticulously studied the English language, researching the most used letters and letter combinations. They also studied the physiology of the hand. The result in 1932 was the Dvorak Simplified Keyboard.

In 1933, Dvorak started entering typists trained on his keyboard into the International Commercial Schools Contest, which were typing contests sponsored by typewriter manufacturers consisting of professional and amateur contests. The professional contests had typists sponsored by typewriter companies to advertise their machines. Ten times from 1934 to 1941, Dvorak's typists won first in their class events. In the 1935 contest alone, nine Dvorak typists won twenty awards. Dvorak typists were so successful that in 1937 the Contest Committee barred Dvorak's typists for being "unfair competition" until Dvorak protested. In addition, QWERTY typists did not want to be placed near Dvorak typists because QWERTY typists were disconcerted by the noise produced from the fast typing speeds made by Dvorak typists.

In the 1930s, the Tacoma, Washington school district ran an experimental program in typing designed by Dvorak to determine whether to hold Dvorak layout classes. The experiment used 2,700 students to learn the Dvorak layout, and the district found that the Dvorak layout students learned the keyboard in one-third the time it took to learn QWERTY. When a new school board was elected, however, it chose to close the Dvorak layout classes. During World War II, while in the Navy Dvorak conducted experiments which he claimed showed that typists could be retrained to Dvorak in a mere 10 days, though he discarded at least two previous studies which were conducted and whose results are unknown.

With such great apparent gains, interest in the Dvorak keyboard layout increased by the early 1950s. Numerous businesses and government organizations began to consider retraining their typists on Dvorak keyboards. In this environment, the General Services Administration commissioned Earle Strong to determine whether the switch from QWERTY to Dvorak should be made. After retraining a selection of typists from QWERTY to Dvorak, once the Dvorak group had regained their previous typing speed (which took 100 hours of training, considerably more than was claimed in the Navy test conducted by Dvorak), Strong took a second group of QWERTY typists chosen for equal ability to the Dvorak group and retrained them in QWERTY in order to improve their speed at the same time the Dvorak typists were training. The carefully controlled study failed to show any benefit to the Dvorak keyboard layout in typing or training speed. Strong recommended retraining QWERTY typists in order to increase their speed over switching, and attributed the previous apparent benefits of Dvorak to improper experimental design and outright bias on the part of Dvorak, who had designed and run the previous studies. Interest in the Dvorak keyboard layout subsequently waned. Later experiments have shown that many keyboard layouts, including some alphabetical ones, allow very similar typing speeds to QWERTY and Dvorak when typists have been trained in them, suggesting that the basic design principles underlying Dvorak may have failed to produce results because typing is a very complicated physical activity.

Original Dvorak Layout


Over the decades, symbol keys were shifted around the keyboard leading to variations in the Dvorak layout. In 1982, the American National Standards Institute (ANSI) implemented a standard for the Dvorak layout known as ANSI X4.22-1983. This standard gave the Dvorak layout official recognition as an alternative to the QWERTY keyboard.

The layout standardized by the ANSI differs from the original or "classic" layout devised and promulgated by Dvorak. Indeed, the layout promulgated publicly by Dvorak differed slightly from the layout for which Dvorak & Dealey applied for a patent in 1932—most notably in the placement of Z. Today's keyboards have more keys than the original typewriter did, and other significant differences existed:
  • The numeric keys of the classic Dvorak layout are ordered: 7 5 3 1 9 0 2 4 6 8 (used today by the Programmer Dvorak layout)
  • In the classic Dvorak layout, the question mark key [?] is in the leftmost position of the upper row, while the slash key [/] is in the rightmost position of the upper row.
  • The following symbols share keys (the second symbol being printed when the SHIFT key is pressed):
    • colon [:] and question mark [?]
    • ampersand [&] and slash [/].
Modern U.S. keyboard layouts almost always place semicolon and colon together on a single key, and slash and question mark together on a single key. Thus, if the keycaps of a modern keyboard are rearranged so that the unshifted symbol characters match the classic Dvorak layout then, sensibly, the result is the ANSI layout.

Records


Writer Barbara Blackburn was the fastest English language typist in the world, according to The Guinness Book of World Records. Using the Dvorak Simplified Keyboard, she was able to maintain 150 words per minute (wpm) for 50 minutes, and 170 wpm for shorter periods. She has been clocked at a peak speed of 212 wpm. Blackburn, who failed her QWERTY typing class in high school, first encountered the Dvorak keyboard in 1938, quickly learned to achieve very high speeds, and occasionally toured giving speed-typing demonstrations during her secretarial career. Blackburn died in April 2008.

Supported Operating Systems


The Dvorak Simplified Keyboard (DSK) is included with all major operating systems (such as Microsoft Windows, Mac OS X, Linux and BSD). Dvorak is only available for external keyboards in iOS and not for the system touchscreen keyboard input.

Early PCs


Although some word processors could simulate alternative keyboard layouts through software, this was application-specific; if more than one program was commonly used (e.g., a word processor and a spreadsheet), the user could be forced to switch layouts depending on the application. Occasionally, stickers were provided to place over the keys for these layouts.

However, IBM-compatible PCs used an active, "smart" keyboard, where the keyboard was actually a peripheral device (powered by the keyboard port). Striking a key generated a key "code", which was sent to the computer. Thus, changing to an alternative keyboard layout was most easily accomplished by simply buying a keyboard with the new layout. Because the key codes were generated by the keyboard itself, all software would respond accordingly. In the mid- to late-1980s, a small cottage industry for replacement PC keyboards arose; although most of these were concerned with keyboard "feel" and/or programmable macros, there were several with alternative layouts, such as Dvorak.

Amiga


Some Amiga operating systems enable the user to modify the keyboard layout by opening up the keyboard input preference and selecting "Dvorak" or "usa2". Earlier Amiga systems also came with the Dvorak keymap available on the "Extras" disk that came with the computer. By copying the keymap to the Workbench disk, editing the startup scripts, and then rebooting, Dvorak was usable in many Workbench application programs.

Microsoft Windows


Versions of Microsoft Windows including Windows 95, Windows NT 3.51 and higher have shipped with support for the U.S. Dvorak layout. Free updates to use the layout on earlier Windows versions are available for download from Microsoft.

Earlier versions, such as DOS 6.2/Windows 3.1, included four keyboard layouts: QWERTY, two-handed Dvorak, right-hand Dvorak, and left-hand Dvorak.

In May 2004 Microsoft published an improved version of its Keyboard Layout Creator (MSKLC version 1.3 – current version is 1.4) that allows anyone to easily create any keyboard layout desired, thus allowing the creation and installation of any international Dvorak keyboard layout such as Dvorak Type II (for German), Svorak (for Swedish) etc.

Another advantage of the Microsoft Keyboard Layout Creator over third-party tools for installing an international Dvorak layout is that it allows creation of a keyboard layout that automatically switches to standard (QWERTY) after pressing the two hotkeys (SHIFT and CTRL).

Unix-Based Systems


Many operating systems based on UNIX, including OpenBSD, FreeBSD, NetBSD, OpenSolaris, Plan 9, and most Linux distributions, can be configured to use the U.S. Dvorak layout and a handful of variants. However, all current Unix-like systems with X.Org and appropriate keymaps installed (and virtually all systems meant for desktop use include them) are able to use any QWERTY-labeled keyboard as a Dvorak one without any problems or additional configuration. This removes the burden of producing additional keymaps for every variant of QWERTY provided. Runtime layout switching is also possible.

Apple Computers


Apple had Dvorak advocates since the company's early (pre-IPO) days. Several engineers devised hardware and software to remap the keyboard, which were used inside the company and even sold commercially.

Apple II


The Apple IIe had a keyboard ROM that translated keystrokes into characters. The ROM contained both QWERTY and Dvorak layouts, but the QWERTY layout was enabled by default. A modification could be made by pulling out the ROM, bending up four pins, soldering a resistor between two pins, soldering two others to a pair of wires connected to a DIP switch, which was installed in a pre-existing hole in the back of the machine, then plugging the modified ROM back in its socket. The "hack" was reversible and did no damage. By flipping a switch on the machine's back panel, the user could switch from one layout to the other. This modification was entirely unofficial but was inadvertently demonstrated at the 1984 Comdex show, in Las Vegas, by an Apple employee whose mission was to demonstrate Apple Logo II. The employee had become accustomed to the Dvorak layout and brought the necessary parts to the show, installed them in a demo machine, then did his Logo demo. Viewers, curious that he always reached behind the machine before and after allowing other people to type, asked him about the modification. He spent as much time explaining the Dvorak keyboard as explaining Logo.

Apple brought new interest to the Dvorak layout with the Apple IIc, which had a mechanical switch above the keyboard whereby the user could switch back and forth between the QWERTY layout and the Dvorak layout: this was the most official version of the IIe Dvorak mod. The IIc Dvorak layout was even mentioned in 1984 ads, which stated that the World's Fastest Typist, Barbara Blackburn, had set a record on an Apple IIc with the Dvorak layout.

The Dvorak layout was also selectable using the built-in control panel applet on the Apple IIGS.

Apple III


The Apple III used a keyboard-layout file loaded from a floppy disk: the standard system-software package included QWERTY and Dvorak layout files. Changing layouts required restarting the machine.

Apple Lisa


The Apple Lisa did not support the Dvorak keyboard mapping, though it was purportedly available through undocumented interfaces.

Mac OS


In its early days, the Macintosh could be converted to the Dvorak layout by making changes to the "System" file: this was not easily reversible and required restarting the machine. This modification was highly unofficial, but it was comparable to many other user-modifications and customizations that Mac users made. Using the "resource editor", ResEdit, users could create keyboard layouts, icons, and other useful items. A few years later, a third-party developer offered a utility program called MacKeymeleon, which put a menu on the menu bar that allowed on-the-fly switching of keyboard layouts. Eventually, Apple Macintosh engineers built the functionality of this utility into the standard System Software, along with a few layouts: QWERTY, Dvorak, French (AZERTY), and other foreign-language layouts.

Since about 1998, beginning with Mac OS 8.6, Apple has included the Dvorak layout. It can be activated with the Keyboard Control Panel and selecting "Dvorak". The setting is applied once the Control Panel is closed out. Apple also includes a Dvorak variant they call "Dvorak – Qwerty ⌘". With this layout, the keyboard temporarily becomes QWERTY when the Command (⌘/Apple) key is held down. By keeping familiar keyboard shortcuts like "close" or "copy" on the same keys as ordinary QWERTY, this lets some people use their well-practiced muscle memory and may make the transition easier. Mac OS and subsequently Mac OS X allows additional "on-the-fly" switching between layouts: a menu-bar icon (by default, a national flag that matches the current language, a 'DV' represents Dvorak and a 'DQ' represents Dvorak – Qwerty ⌘) brings up a drop-down menu, allowing the user to choose the desired layout. Subsequent keystrokes will reflect the choice, which can be reversed the same way.

Mac OS X 10.5 "Leopard" and later offer an keyboard identifier program which ask users to press a few keys on their keyboards. Dvorak, QWERTY and many national variations of those layouts are supported. If multiple keyboards are connected to the same Mac computer, they can be configured to different layouts and use simultaneously. However should the computer shut down (lack of battery, etc.) the computer will revert to QWERTY for reboot, regardless of what layout the Admin was using.

Mobile Phones and PDAs


A number of mobile phones today are built with either full QWERTY keyboards or software implementations of them on a touch screen. Sometimes the keyboard layout can be changed by means of a freeware third-party utility, such as Hacker's Keyboard for Android, AE Keyboard Mapper for Windows Mobile, or KeybLayout for Symbian OS.

The RIM BlackBerry lines support only QWERTY and its localized variants AZERTY and QWERTZ. Apple's iOS 4.0 and later, only supports external Dvorak keyboards but not on the internal system’s touchscreen keyboard layouts. Google's Android OS touchscreen keyboard supports Dvorak and other nonstandard layouts natively as of version 4.1.

Chrome OS


The Chrome OS supports the Dvorak keyboard layout.

Comparison of the QWERTY and Dvorak Layouts


Keyboard Strokes


Touch typing requires a typist to rest their fingers in the home row (QWERTY row starting with "ASDF"). The more strokes there are in the home row, the less movement the fingers must do, thus allowing a typist to type faster, more accurately, and with less strain to the hand and fingers. Motion picture studies prove not only that typing is done fastest in the home row, but also typing is the slowest on the bottom row. If the fingers must move, it is easier to move them up to the top row (QWERTY row starting with "QWERTY") rather than down to the bottom row (QWERTY row starting with "ZXCV").

The vast majority of the Dvorak layout's key strokes (70%) are done in the home row, claimed to be the easiest row to type because the fingers rest there. In addition, the Dvorak layout requires the fewest strokes on the bottom row (the most difficult row to type). On the other hand, QWERTY requires typists to move their fingers to the top row for a majority of strokes and has only 32% of the strokes done in the home row.

Because the Dvorak layout concentrates the vast majority of key strokes to the home row, the Dvorak layout uses about 63% of the finger motion required by QWERTY, which is claimed to make the keyboard more ergonomic. Because the Dvorak layout requires less finger motion from the typist compared to QWERTY, some users with repetitive strain injuries have reported that switching from QWERTY to Dvorak alleviated or even eliminated their repetitive strain injuries; however, no scientific study has been conducted verifying this.

The typing loads between hands differs for each of the keyboard layouts. On QWERTY keyboards, 56% of the typing strokes are done by the left hand. As the right hand is dominant for the majority of people, the Dvorak keyboard puts the more often used keys on the right hand side, thereby having 56% of the typing strokes done by the right hand.

Awkward Strokes


Awkward strokes are undesirable because they slow down typing, increase typing errors, and increase finger strain. Hurdling is an awkward stroke requiring a single finger to jump directly from one row, over the home row to another row (e.g., typing "minimum" (which often comes out as "minimun" or "mimimum") on the QWERTY keyboard). In the English language, there are about 1,200 words that require a hurdle on the QWERTY layout. In contrast, there are only a few words requiring a hurdle on the Dvorak layout and even fewer requiring a double hurdle.

Hand Alternation and Finger Repetition


Alternating hands while typing is a desirable trait because while one hand is typing a letter, the other hand can get in position to type the next letter. Thus, a typist may fall into a steady rhythm and type quickly. On the other hand, when a string of letters is done with the same hand, the chances of stuttering are increased and a rhythm can be broken, thus decreasing speed and increasing errors and fatigue. Likewise, using the same finger to type consecutive letters is also to be avoided. The QWERTY layout has more than 3,000 words that are typed on the left hand alone and about 300 words that are typed on the right hand alone (the aforementioned word "minimum" is a right-hand-only word). In contrast, with the Dvorak layout, only a few words are typed using only the left hand and even fewer use the right hand alone. This is because most syllables require at least one vowel, and, in a Dvorak layout, all the vowels (and "y") fall on the left side of the keyboard.

Standard Keyboard


QWERTY enjoys advantages over the Dvorak layout due to its position as the de facto standard keyboard:
  • Keyboard shortcuts in most major operating systems, including Windows, are designed for QWERTY users, and can be awkward for some Dvorak users, such as Ctrl-C (Copy) and Ctrl-V (Paste). However, Apple computers have a "Dvorak – Qwerty ⌘" setting, which temporarily changes the keyboard mapping to QWERTY when the command (⌘) key is held.
  • Some public computers (such as in libraries) will not allow users to change the keyboard to the Dvorak layout
  • Some standardized exams will not allow test takers to use the Dvorak layout (e.g. Graduate Record Examination)
  • Certain games, especially those that make use of "WASD" for in-game movement, may not work properly with a Dvorak layout. This can often be corrected manually by re-assigning WASD to ",AOE", the Dvorak equivalent.
  • People who can touch type with a QWERTY keyboard may be less productive with alternative layouts even if these are closer to the optimum.
  • Studies have failed to substantiate any real-world advantage for the Dvorak keyboard layout over the QWERTY layout; while proponents of Dvorak frequently cite studies conducted by Dvorak advocates, these studies were methodologically flawed and were not replicated by neutral testers. The actual difference is negligible.

Time to Learn


The time it takes to learn the Dvorak layout will vary based upon the age of the student and whether they have previous fluency with other keyboard layouts. One empirical study found that for a user with a previous averaging typing speed of 100 WPM on QWERTY, it took one year to reach the same level of proficiency. However, factors such as time spent practicing must also be taken in consideration. Another personal blog with a start of similar speed reported proficiency and speed increase in under three months. Note that when a user elects to change 'languages', even with a fair amount of practice, a new Dvorak typist will feel frustrated and unable to type either language properly for six to eight weeks. It is most challenging to fluently type both QWERTY and Dvorak.

One-Handed Versions


In the 1960s, Dvorak designed the left- and right-handed Dvorak layouts for touch-typing with only one hand. He tried to minimize the need to move the hand from side to side (lateral travel), as well as to minimize finger movement. Each layout has the hand resting near the center of the keyboard, rather than on one side.

Because the layouts require less hand movement than layouts designed for two hands, they can be more accessible to single-handed users. The layouts are also used by people with full use of two hands, who enjoy having one hand free while they type with the other.

The left-handed Dvorak and right-handed Dvorak keyboard layouts are mostly each other's mirror image, with the exception of some punctuation keys, some of the less-used letters, and the ‘wide keys’ (Enter, Shift, etc.). Dvorak arranged the parentheses ")(" on his left-handed keyboard, but some keyboards place them in the typical "()" reading order. Illustrated here is Dvorak's original ")(" placement, above; it is the more widely distributed layout, not least because it is the one that ships with Windows. Apple products have more strict guidelines for alternate keyboards, so for one-handed typists this can be problematic.

Controversies and Criticism


Through its history the Dvorak layout and the benefits it claims have come under much scrutiny. Many of the experiments determining its superiority in terms of speed of typing are not experimentally rigorous or are outright biased, with the most famous being conducted by Dvorak and his associates. In 1956, a study with a sample of 10 people in each group conducted by Earle Strong of the U.S. General Services Administration found Dvorak no more efficient than QWERTY and claimed it would be too costly to retrain the employees. The failure of the study to show any benefit to switching, along with its illustration of the considerable cost of switching, discouraged businesses and governments from making the switch. The study has been criticized as being unfairly biased in favor of the QWERTY control group.

Economists Stan Liebowitz and Stephen E. Margolis have written articles in the Journal of Law and Economics and Reason magazine where they reject Dvorak proponents' claims that the dominance of the QWERTY is due to market failure brought on by QWERTY's early adoption, writing, "[T]he evidence in the standard history of Qwerty versus Dvorak is flawed and incomplete. [..] The most dramatic claims are traceable to Dvorak himself; and the best-documented experiments, as well as recent ergonomic studies, suggest little or no advantage for the Dvorak keyboard." Most keyboards around the world are based on QWERTY layouts, despite the availability of other keyboard layouts, including Dvorak.

Resistance to Adoption


Although the Dvorak layout is the only other keyboard layout registered with ANSI and is provided with all major operating systems, attempts to convert universally to the Dvorak layout have not succeeded. The failure of the Dvorak layout to displace the QWERTY layout has been the subject of some studies.

A discussion of the Dvorak layout is sometimes used as an exercise by management consultants to illustrate the difficulties of change. The Dvorak layout is often used in economics textbooks as a standard example of network effects, though this approach has been criticized.



See the full article:
      Dvorak Simplified Keyboard From Wikipedia, the free encyclopedia




Qwerty From Wikipedia, the free encyclopedia


A QWERTY keyboard on a laptop computer
QWERTY /ˈkwɜrti/ is the most common modern-day keyboard layout for Latin script. The name comes from the first six keys appearing on the top left letter row of the keyboard and read from left to right: Q-W-E-R-T-Y. The QWERTY design is based on a layout created for the Sholes and Glidden typewriter and sold to Remington in 1873. It became popular with the success of the Remington No. 2 of 1878, and remains in use on electronic keyboards due to the network effect of a standard layout and a belief that alternatives fail to provide very significant advantages. The use and adoption of the QWERTY keyboard is often viewed as one of the most important case studies in open standards because of the widespread, collective adoption and use of the product.

History and Purposes


Still used to this day, the QWERTY layout was devised and created in the early 1870s by Christopher Latham Sholes, a newspaper editor and printer who lived in Milwaukee. In October 1867, Sholes filed a patent application for his early writing machine he developed with the assistance of his friends Carlos Glidden and Samuel W. Soulé.

The first model constructed by Sholes used a piano-like keyboard with two rows of characters arranged alphabetically as follows:

- 3 5 7 9 N O P Q R S T U V W X Y Z
 2 4 6 8 . A B C D E F G H I J K L M

The construction of the "Type Writer" had two flaws that made the product susceptible to jams. Firstly, characters were mounted on metal arms or typebars, which would clash and jam if neighboring arms were pressed at the same time or in rapid succession. Secondly, its printing point was located beneath the paper carriage, invisible to the operator, a so-called "up-stroke" design. Consequently, jams were especially serious, because the typist could only discover the mishap by raising the carriage to inspect what he had typed. The solution was to place commonly used letter-pairs (like "th" or "st") so that their typebars were not neighboring, avoiding jams. Contrary to popular belief, the QWERTY layout was not designed to slow the typist down, but rather to speed up typing by preventing jams. There is also evidence that, aside from the issue of jamming, keys being farther apart increases typing speed on its own, because it encourages alternation between the hands. Almost every word in the English language contains at least one vowel letter, but on the QWERTY keyboard only the vowel letter "A" is located on the home row, which requires the typist's fingers to leave the home row for most words.

Sholes struggled for the next five years to perfect his invention, making many trial-and-error rearrangements of the original machine's alphabetical key arrangement. The study of bigram (letter-pair) frequency by educator Amos Densmore, brother of the financial backer James Densmore, is believed to have influenced the arrangement of letters, but was later called into question. Others dispute that slowing down the typist was the purpose, suggesting instead that the letter arrangement evolved from telegraph operators' feedback.

In November 1868 he changed the arrangement of the latter half of the alphabet, O to Z, right-to-left. In April 1870 he arrived at a four-row, upper case keyboard approaching the modern QWERTY standard, moving six vowel letters, A, E, I, O, U, and Y, to the upper row as follows:

  2 3 4 5 6 7 8 9 -
    A E I . ? Y U O ,
B C D F G H J K L M
Z X W V T S R Q P N
In 1873 Sholes's backer, James Densmore, successfully sold the manufacturing rights for the Sholes & Glidden Type-Writer to E. Remington and Sons. The keyboard layout was finalized within a few months by Remington's mechanics and was ultimately presented as follows:

  2 3 4 5 6 7 8 9 - ,
Q W E . T Y I U O P
Z S D F G H J K L M
A X & C V B N ? ; R
After it purchased the device, Remington made several adjustments which created a keyboard with what is essentially the modern QWERTY layout. Their adjustments included placing the "R" key in the place previously allotted to the period key. This has been claimed to be done with the purpose of enabling salesmen to impress customers by pecking out the brand name "TYPE WRITER" from one keyboard row but this claim is unsubstantiated. Vestiges of the original alphabetical layout remained in the "home row" sequence DFGHJKL.

The modern layout is:

1 2 3 4 5 6 7 8 9 0 - =
Q W E R T Y U I O P [ ] \
A S D F G H J K L ; '
Z X C V B N M , . /

The QWERTY layout became popular with the success of the Remington No. 2 of 1878, the first typewriter to include both upper and lower case letters, via a shift key.

Much less commented-on than the order of the keys is that the keys are not on a grid, but rather that each column slants diagonally; this is because of the mechanical linkages – each key being attached to a lever, and hence the offset prevents the levers from running into each other – and has been retained in most electronic keyboards. Some keyboards, such as the Kinesis or TypeMatrix, retain the QWERTY layout but arrange the keys in vertical columns, to reduce unnecessary lateral finger motion.

Differences from Modern Layout


Substituting Characters


The QWERTY layout depicted in Sholes's 1878 patent includes a few differences from the modern layout, most notably in the absence of the numerals 0 and 1, with each of the remaining numerals shifted one position to the left of their modern counterparts. The letter M is located at the end of the third row to the right of the letter L rather than on the fourth row to the right of the N, the letters X and C are reversed, and most punctuation marks are in different positions or are missing entirely. 0 and 1 were omitted to simplify the design and reduce the manufacturing and maintenance costs; they were chosen specifically because they were "redundant" and could be recreated using other keys. Typists who learned on these machines learned the habit of using the uppercase letter I (or lowercase letter L) for the digit one, and the uppercase O for the zero.

Combined Characters


In early designs, some characters were produced by printing two symbols with the carriage in the same position. For instance, the exclamation point, which shares a key with the numeral 1 on modern keyboards, could be reproduced by using a three-stroke combination of an apostrophe, a backspace, and a period. A semicolon (;) was produced by printing a comma (,) over a colon (:). As the backspace key is slow in simple mechanical typewriters (the carriage was heavy and optimized to move in the opposite direction), a more professional approach was to block the carriage by pressing and holding the space bar while printing all characters that needed to be in a shared position. To make this possible, the carriage was designed to advance forward only after releasing the space bar.

The 0 key was added and standardized in its modern position early in the history of the typewriter, but the 1 and exclamation point were left off some typewriter keyboards into the 1970s.

Contemporary Alternatives


There was no particular technological requirement for the QWERTY layout since at the time there were ways to make a typewriter without the "up-stroke" typebar mechanism that had required it to be devised. Not only were there rival machines with "down-stroke" and "frontstroke" positions that gave a visible printing point, the problem of typebar clashes could be circumvented completely: examples include Thomas Edison's 1872 electric print-wheel device which later became the basis for Teletype machines; Lucien Stephen Crandall's typewriter (the second to come onto the American market) whose type was arranged on a cylindrical sleeve; the Hammond typewriter of 1887 which used a semi-circular "type-shuttle" of hardened rubber (later light metal); and the Blickensderfer typewriter of 1893 which used a type wheel. The early Blickensderfer's "Ideal" keyboard was also non-QWERTY, instead having the sequence "DHIATENSOR" in the home row, these 10 letters being capable of composing 70% of the words in the English language.

Properties


Alternating hands while typing is a desirable trait in a keyboard design. While one hand types a letter, the other hand can prepare to type the next letter making the process faster and more efficient. However, when a string of letters is done with the same hand, the chances of stuttering are increased and a rhythm can be broken, thus decreasing speed and increasing errors and fatigue. In the QWERTY layout many more words can be spelled using only the left hand than the right hand. In fact, thousands of English words can be spelled using only the left hand, while only a couple of hundred words can be typed using only the right hand. In addition, most typing strokes are done with the left hand in the QWERTY layout. This is helpful for left-handed people but to the disadvantage of right-handed people.

Computer Keyboards


http://upload.wikimedia.org/wikipedia/commons/3/3a/Qwerty.svg
The standard QWERTY keyboard layout used in the US. Some countries, such as the UK and Canada, use a slightly different QWERTY (the \ key is missing in US layouts, and the @ and " are switched in the UK); see keyboard layout

The standard QWERTY keyboard layout used in the US. Some countries, such as the UK and Canada, use a slightly different QWERTY (the \ key is missing in US layouts, and the @ and " are switched in the UK); see keyboard layout
The first computer terminals such as the Teletype were typewriters that could produce and be controlled by various computer codes. These used the QWERTY layouts and added keys such as escape (ESC) which had special meanings to computers. Later keyboards added function keys and arrow keys. Since the standardization of PC-compatible computers and Windows after the 1980s, most full-sized computer keyboards have followed this standard (see drawing at right). This layout has a separate numeric keypad for data entry at the right, 12 function keys across the top, and a cursor section to the right and center with keys for Insert, Delete, Home, End, Page Up, and Page Down with cursor arrows in an inverted-T shape.

Diacritical Marks and International Variants


Different computer operating systems have methods of support for input of different languages such as Chinese, Hebrew or Arabic. QWERTY is designed for English, a language without any diacritical marks. QWERTY keyboards meet issues when having to type an accent. Until recently,[when?] no norm was defined for a standard QWERTY keyboard layout allowing the typing of accented characters. The so called “US-International layout” is, in fact, OS-dependent.

Depending on the operating system and sometimes the application program being used, there are many ways to generate Latin characters with accents.

UK-Extended Layout


Microsoft operating systems from Windows XP SP2 and onwards provide the UK-Extended layout that behaves exactly the same as the standard UK layout for all the characters it can generate, but can additionally generate a number of diacritical marks, useful when working with text in other languages (including Welsh - the native language of a country in the UK). Not all combinations work on all keyboards.
  • acute accents (e.g. á) on a, e, i, o, u, w, y, A, E, I, O, U, W, Y are generated by pressing the AltGr key together with the letter, or AltGr and apostrophe, followed by the letter (see note below);
  • grave accents (e.g. è) on a, e, i, o, u, w, y, A, E, I, O, U, W, Y are generated by pressing the backquote (`) [which is now a dead key], then the letter;
  • circumflex (e.g. â) on a, e, i, o, u, w, y, A, E, I, O, U, W, Y is generated by AltGr and 6, followed by the letter;
  • diaeresis or umlaut (e.g. ö) on a, e, i, o, u, w, y, A, E, I, O, U, W, Y is generated by AltGr and 2, then the letter;
  • tilde (e.g. ã) on a, n, o, A, N, O is generated by AltGr and #, then the letter;
  • cedilla (e.g. ç) under c, C is generated by AltGr and the letter.
These combinations are designed to be easy to remember, as the circumflex accent (e.g. â) is similar to a caret (^), printed above the 6 key; the diaeresis (e.g. ö) is similar to the double-quote (") above 2 on the UK keyboard; the tilde (~) is printed on the same key as the #.

Like US-International, UK-Extended does not cater for many languages written with Latin characters, including Romanian and Turkish, or any using different character sets such as Greek and Russian. UK-Extended does not cater for the ß used in German, nor the å, æ, ø used in Nordic languages.

Notes:
  • The AltGr and letter method used for acutes and cedillas does not work for applications which assign shortcut menu functions to these key combinations. For acute accents the AltGr and apostrophe method should be used.


Alternatives to QWERTY


Several alternatives to QWERTY have been developed over the years, claimed by their designers and users to be more efficient, intuitive and ergonomic. Nevertheless, none has seen widespread adoption, partly due to the sheer dominance of available keyboards and training. Although some studies have suggested that some of these may allow for faster typing speeds, many other studies have failed to do so, and many of the studies claiming improved typing speeds were severely methodologically flawed or deliberately biased, such as the studies administered by Dvorak himself before and after World War II. Economists Stan Liebowitz and Stephen E Margolis have noted that rigorous studies are inconclusive as to whether they actually offer any real benefits, and some studies on keyboard layout have suggested that, for a skilled typist, layout is largely irrelevant - even randomized and alphabetical keyboards allow for similar typing speeds to QWERTY and Dvorak keyboards, and that switching costs always outweigh the benefits of further training on whichever keyboard you already use. The most widely used such alternative is the Dvorak Simplified Keyboard; another alternative is Colemak, which is based partly on QWERTY and is claimed to be easier for an existing QWERTY typist to learn while offering several supposed optimisations. Most modern computer operating systems support these and other alternative mappings with appropriate special mode settings, with some modern operating systems allowing the user to map their keyboard in any way they like, but few keyboards are manufactured with keys labeled according to any other standard.

Comparison to Other Keyboard Input Systems


Dvorak and QWERTY have been compared by some people to other systems which involve keyboard input systems, namely Stenotype and its implementations e.g. opensource PLOVER . There are numerous advantages to using these systems (namely a 700% increase in efficiency over QWERTY ) but they are fundamentally different from ordinary typing. Words are input by pressing on several keys and releasing simultaneously but don't require the keys to be pressed down in any order. Neither is the spacebar used. There is a learning hurdle in that hunt and peck does not work. However, it is easy to write at 180-300 wpm. It is worth noting that PLOVER stenotype theory required a stenotype machine prior to 2010; due to the inherent difficulties of chording QWERTY was invented to allow cheap machines to be made that didn't jam up; stenotype was invented for maximum speed and accuracy.

The first typed shorthand machines appeared around 1880, roughly current with QWERTY, but the first stenotype machines appeared in 1913. Also, these machines' output needed to be interpreted by a trained professional, comparable to reading Gregg shorthand, which was very much in vogue at the time and taught publicly until the 1980s. Gregg shorthand also didn't require much more than training and a pen, however machines gradually gained traction in the courtroom. Modern PLOVER immediately provides translated output, making it very much like other keyboard setups that immediately produce legible work.

Half QWERTY


A half QWERTY keyboard is a combination of an alpha-numeric keypad and a QWERTY keypad, designed for mobile phones. In a half QWERTY keyboard, two characters share the same key, which reduces the number of keys and increases the surface area of each key, useful for mobile phones that have little space for keys. It means that 'Q' and 'W' will share the same key and the user has to press the key once to type 'Q' and twice to type 'W'.

Displaced QWERTY


Also designed for mobile devices, the displaced QWERTY layout allows for the increase of button area by over 40% while keeping the same candybar form factor. Entering, spacing and deleting are handled by gestures over the text area, reducing the keyboard's screen footprint. The layout is essentially a rearrangement of keys on the right half of the keyboard under those on the left and, as such, should present a gentler learning curve to touch typists. It was first seen on the iPhone application "LittlePad".



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