Dean's Stroke Musing |
-- Dean's Stroke Musing
Nominated For: Best Picture, Best Actress (Emmanuelle Riva), Best Director (Michael Haneke), Best Original Screenplay (Haneke), Best Foreign Language Film (Austria)
Anne Laurent (Emmanuelle Riva) and her husband Georges (Jean-Louis Trintignant), a pair of retired music teachers, live in a roomy, tastefully furnished Parisian apartment full of books, paintings, and records. They’re the kind of cultivated upper-middle-class couple that goes to classical music concerts and, afterward, debates the finer points of the soloist’s vibrato. They have a middle-aged daughter, the well-meaning but self-absorbed Eva (the always amazing Isabelle Huppert), and an enviably contented domestic life, one in which affectionate flirtation (“Did I tell you you looked pretty tonight?”) still plays a part. Then one morning, as they’re sitting at breakfast, Anne suddenly falls silent and stares off into space for several minutes, oblivious to the increasingly irritated voice of her husband, whose first reaction is to assume she must be either daydreaming or pulling some sort of prank. Though she quickly snaps back from this moment of distraction, it’s the first symptom of a stroke that will soon paralyze the right side of Anne’s body, putting her in a wheelchair for good.
I plan on seeing it once it gets to our theatres. It has to be more uplifting than Diving Bell and the Butterfly or Water for Elephants.
See the orginal article Amour (Film With Stroke As Its Subject)
in Dean's Stroke Musing
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